OBITUARY | 30.06.2009
German dance legend Pina Bausch dies at 68
Pina Bausch put Wuppertal on the cultural map
Acclaimed German dancer and choreographer Pina Bausch has died at the age of 68. The recipient of numerous awards and prizes, she left her mark as an innovator in the hybrid genre of "Tanztheater," or dance theater.
The director of the Wuppertal Tanztheater said Tuesday that Bausch had passed away unexpectedly earlier that morning. The choreographer had just last week been diagnosed with cancer, but had continued with her work up until her death.
Bausch formed the successful Wuppertal Tanzheater in 1973, turning the Ruhr Valley town into an international dance mecca.
Though Bausch tended to avoid the limelight, she became known to many people outside the dance world with her appearance in Pedro Almodovar's Oscar-winning film "Talk to Her." The film also pays homage to her work.
Bausch's oeuvre explores memories, questions of identity and the difficulty of human understanding. Frequently, she thematizes the difficulty of relations between the sexes. Men and women can flirt tenderly at one moment, then fling each other violently across the room the next.
"It is about life and about finding a language to describe life," she said. The choreographer, on the whole, usually avoided pinning down or labeling her creations, preferring to let her audiences make up their minds.
In 2007 she was awarded the Kyoto Prize - one of the top prizes in the culture and arts field - in recognition of her work in breaking down the boundaries between dance and theater, and pioneering a new direction for theatrical art. She was the first woman to receive the accolade in the category art and philosophy.
Breaking with convention
Bausch's works leave a vivid visual impression
Bold and visually arresting, her first works were roundly criticized by traditional ballet fans. She became notorious for having her company dance on dirt, on leaves, in ankle-deep water, as well as for bringing them into direct contact with the audience.
But she began to attract attention abroad with her performances at the World Theater Festival in Nancy, France, in 1977. This was the start of a flourishing international career.
The grande dame of modern dance was famed for her collaborative way of working. She would start by directing a barrage of questions at her dancers, who would respond with words, gestures, and improvised dance. "I'm not interested in how people move, but what moves them," she once famously stated.
Bausch was strongly influenced by Kurt Jooss, a pioneer of German expressionist dance, with whom she began studying at the age of 14. He was to have a strong influence over her work. The psychological ballets of Anthony Tudor, whom she encountered during a scholarship at the Juilliard School in New York, also made a marked impression on her.
Although she led her company for over 35 years, she didn't talk of retiring. Upon receiving the Kyoto Prize less than two years ago, the choreographer said she still had "an awful lot of plans."
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Editor: Michael Lawton
http://www.dw-world.de/dw/article/0,,4444691,00.html
Water Dance Company) DanceMaking workshop in late June. Students were invited to continue working on their pieces and present as student choreographers during the adjudicated series. All of the students came from Pam Haden’s studio, The Dance Pointe, and exhibited a surprising maturity while performing and in receiving and responding to feedback from the panel.
is year’s festival with the following comment from a scholarship recipient: “This weekend has already given me so much inspiration towards my goals as a dance therapist and dance supporter. Please keep in touch and continue to help others grow using your passion and creative intuition in dance.”
