MEDIA OVERHAUL

There seems to be so much to do and never enough time to do it all. I did, however, accomplish one thing so far this week - updating the portfolio on the design gallery page of The Bell House website.

I put together one digital image in order to showpiece a program I did for Out On a Limb Dance Company for the Out of the Loop Festival in 2009. I didn't want to upload all the pages individually, so I created one document to show the layout and uploaded that. Turned out pretty good.

We'll be auditioning for a photoshoot to create new images for Bell House mid-September. I'll be inviting area artists to participate in exchange for free images that they can use for their own purposes. The ideas that the BHA creative team have come up with for this shoot are amazing and will be exciting and challenging to capture. I'm finding a lot of inspiration from Laurent Ziegler, a brilliant photographer/video artist with an impressively abundant resumé. Under the collective name of un|still, Laurent's work ranges from dance, portraits, documentary, and art projects. And she simply signs her eNewletter with:

laurent ziegler

photographer

© copyright 2010 by laurent ziegler

There are many changes to the look and feel of our media coming. Just plugging away one thing at a time, which is all I can do these days and still not miss out on my two boys.

photo by Maranda Blumenthal

~Rachel

Dance for Camera

The Bell House had a great screening this weekend of two of our videodances at the Living Water Dance Company's performance at Kivisto Studio in Tulsa. The films screened were She Drew a Picture of a Whale and, the longtime coming, Deeper. Both seemed to be received well by the audience who generously applauded after each dancefilm, as they did for the entire concert. What a great audience!

Thank you to Amy McIntosh, Artist Director of Living Water Dance Company, for the opportunity to show our work. We especially appreciate the premiere for Deeper.

We’ve wrapped filming on Paper Cuts, a dancefilm choreographed by Linda Caldwell and directed by Rachel Bruce Johnson. In Paper Cuts, a world of shredded paper surrounds the dancer as she cuts through the space with joy and wonder. Her ecstasy turns to greed as she consumes, destroys, and leaves her delible footprint on the delicate paper world. After her gluttony is fulfilled she finds herself in a static, torn space destroyed by her activity. Her sorrow cuts through her final gestures.

Now that we’re in post, I realize how special this medium really is. There are so many magical moments in Sarah Newton’s performance of the role and together with Keith Fleming’s original sound score of manipulated paper sounds is truly a provocative experience. Paper Cuts has already been submitted to several film festivals even as we wrap up. It will be exciting to see how it is perceived and what kind of thoughts is provokes about consumption and the consequences of greed.